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    如果說(shuō)，生命有節(jié)奏，那一定是藝術(shù)。如果說(shuō)，藝術(shù)有靈魂，那一定是用針織般的線編織出來(lái)的畫(huà)面。

　If life has a rhythm, it must be art. If art has a soul, it is the images woven with knitting-like threads.

　用鋪滿展廳的廣闊的線網(wǎng)，將日常生活抽離出實(shí)體空間，是日本藝術(shù)家鹽田千春個(gè)人展《顫動(dòng)的靈魂》的特點(diǎn)，散落卻精準(zhǔn)的表達(dá)她對(duì)生命里焦慮、疑惑的慨嘆，而交錯(cuò)複雜的紅線道出了人與人之間關(guān)係的複雜與無(wú)奈。

　The personal exhibition of Japanese artist Chiharu Shiotani is characterized by vast networks of threads that cover exhibition halls, separating everyday life from physical space. The scattered yet precise expressions convey her sighs of anxiety and confusion in life, while the intricate red threads depict the complexity and helplessness of human relationships.

　本期深圳有滋味，法國(guó)住深的桌遊設(shè)計(jì)師Eric與主持人金洪竹踏入鹽田千春布下的紅與黑線網(wǎng)，細(xì)細(xì)品味深圳美術(shù)館（新館）爆火的大展。

　In this episode of "Shenzhen have fun ", Eric, A French game designer living in Shenzhen and host Zoe Kim step into the red and black thread network laid out by Chiharu Shiotani, savoring the popular exhibition at the new building of Shenzhen Art Museum.

　深圳美術(shù)館（新館）無(wú)疑是當(dāng)前深圳最受關(guān)注的文化場(chǎng)館之一，它以6.6萬(wàn)平方米的胸襟，容納下來(lái)自全球藝術(shù)家風(fēng)格各異的六大展覽。

　Undoubtedly, the new building of Shenzhen Art Museum is one of the most anticipated cultural venues in Shenzhen today, with a capacity of 66,000 square meters to have six major exhibitions by artists from around the world with varied styles.

　法國(guó)藝術(shù)家斯特凡·蒂德則帶來(lái)更多關(guān)於機(jī)械技術(shù)的思考。在他的作品《虛空的轉(zhuǎn)折》裏，小船桅桿在沙丘上繪畫(huà)圓圈，就像船身在海浪上起伏，技術(shù)干預(yù)了事物發(fā)展的秩序，機(jī)械將時(shí)間可視化，觀眾則置身於回憶中。

　French artist Stéphane Thidet brings more thoughts on mechanical technology. In his work "The Tour Of Emptiness", small boat masts draw circles on sand dunes, while the hulls rise and fall with the waves. Technology intervenes in the order of things, visualizing time, and the audience finds themselves immersed in memories.

　關(guān)於人工智能與精神領(lǐng)域的交織，關(guān)於光與空間關(guān)係的探討……都可以在斯特凡·蒂德《互生景觀——科技藝術(shù)展法國(guó)奧普萊獎(jiǎng)深圳首展》找到答案，展覽作為首次全球科技藝術(shù)在中國(guó)的集體亮相，也是對(duì)深圳一直秉持的藝術(shù)科學(xué)融合理念所帶來(lái)的發(fā)展回顧與展望。

　Answers regarding the intersection of artificial intelligence and the spiritual realm, as well as explorations of the relationship between light and space, can be found in the exhibition "Interactive Landscapes - French Opale Prize for Technological Art based in Shenzhen" by Stéphane Thidet. As the first global collective appearance of technological art in China, this exhibition also reflects the retrospective and prospective development brought from Shenzhen's long-held concept of integrating art and science.

　【信息】

　地址：廣東省深圳市龍華區(qū)民治街道騰龍路30號(hào)1棟

　門(mén)票：免費(fèi)（需要預(yù)約）

　【Info】

　Address: Building 1, No. 30 Tenglong Road, Minzhi Street, Longhua District, Shenzhen, Guangdong, China

　Tickets: Free (reservation required)  （記者 閻思遠(yuǎn) 張玲 林恆鑫 李丹璐 楊佳慧 特別鳴謝：深圳美術(shù)館（新館））

    頂圖：在鹽田千春，Eric和金洪竹探討展覽給人帶來(lái)的不同感受。（李丹璐 攝，閻思遠(yuǎn) 設(shè)計(jì)）